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I made this in response to the brief for Grayson Perry's Art Club about Britain in lockdown 2020. I made this aerial landscape where all the houses are the same but different representing the beautiful diversity and vibrancy of British communities; all the roads, rivers and traintracks are empty because everybody is at home. Everything is quiet - but - all around are little red, white and blue sparkly stars, stitched on with tiny beads. Linking them together are stitches of silver thread, this represents all the video calls and online meetings where we are still interacting, still communicating in the best and only ways we can right now, when everything feels the same, but different.
I made this in response to the brief for Grayson Perry's Art Club about Britain in lockdown 2020. I made this aerial landscape where all the houses are the same but different representing the beautiful diversity and vibrancy of British communities; all the roads, rivers and traintracks are empty because everybody is at home. Everything is quiet - but - all around are little red, white and blue sparkly stars, stitched on with tiny beads. Linking them together are stitches of silver thread, this represents all the video calls and online meetings where we are still interacting, still communicating in the best and only ways we can right now, when everything feels the same, but different.
I made this in response to the brief for Grayson Perry's Art Club about Britain in lockdown 2020. I made this aerial landscape where all the houses are the same but different representing the beautiful diversity and vibrancy of British communities; all the roads, rivers and traintracks are empty because everybody is at home. Everything is quiet - but - all around are little red, white and blue sparkly stars, stitched on with tiny beads. Linking them together are stitches of silver thread, this represents all the video calls and online meetings where we are still interacting, still communicating in the best and only ways we can right now, when everything feels the same, but different.
I made this in response to the brief for Grayson Perry's Art Club about Britain in lockdown 2020. I made this aerial landscape where all the houses are the same but different representing the beautiful diversity and vibrancy of British communities; all the roads, rivers and traintracks are empty because everybody is at home. Everything is quiet - but - all around are little red, white and blue sparkly stars, stitched on with tiny beads. Linking them together are stitches of silver thread, this represents all the video calls and online meetings where we are still interacting, still communicating in the best and only ways we can right now, when everything feels the same, but different.
I made this in response to the brief for Grayson Perry's Art Club about Britain in lockdown 2020. I made this aerial landscape where all the houses are the same but different representing the beautiful diversity and vibrancy of British communities; all the roads, rivers and traintracks are empty because everybody is at home. Everything is quiet - but - all around are little red, white and blue sparkly stars, stitched on with tiny beads. Linking them together are stitches of silver thread, this represents all the video calls and online meetings where we are still interacting, still communicating in the best and only ways we can right now, when everything feels the same, but different.
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Same But Different
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Same But Different Painting

Sophie Hannah Walker

United Kingdom

Painting, Acrylic on Canvas

Size: 19.7 W x 19.7 H x 1.4 D in

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About The Artwork

I made this in response to the brief for Grayson Perry's Art Club about Britain in lockdown 2020. I made this aerial landscape where all the houses are the same but different representing the beautiful diversity and vibrancy of British communities; all the roads, rivers and traintracks are empty because everybody is at home. Everything is quiet - but - all around are little red, white and blue sparkly stars, stitched on with tiny beads. Linking them together are stitches of silver thread, this represents all the video calls and online meetings where we are still interacting, still communicating in the best and only ways we can right now, when everything feels the same, but different.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:19.7 W x 19.7 H x 1.4 D in

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My painting A Series of Measured Rejections was shortlisted for the Royal Academy Summer Exhibition 2019 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - I make a variety of works using techniques learned from my training in art, design and photography at Croydon Art College and my BA (Hons) in Fashion Design from the University of Brighton, in which I specialised in printed textiles. Since graduating in 1999 I have continued to explore and refine my practice and have taken part in numerous exhibitions; from Brighton Open Houses, Hove Museum and Art Gallery and The Old Aldwych Tube Station. There is frequently an overlap in my work; stitch and embroidery appear on paintings and photographic prints find their way onto my textiles. Photographs are often manipulated until they resemble a print. I enjoy the freedom of this interdisciplinary approach and the exciting results it can often produce. Conversely though, I also appreciate the simplicity of a line drawing or the interesting imperfections of an unadulterated photograph.

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