
Installation, Mixed Media on Fabric
15 W x 50 H in
Ships in a Crate
This work will ship in a secure wooden crate. Read More
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
This striking installation, titled "Shoe," invites contemplation and personal reflection. Crafted from a compelling blend of mixed media, including fabric, leather, steel, and textile, this piece is a testament to the artist's innovative approach. The textures and materials are expertly combined on ...
Year Created:
2026
Subject:
Mediums:
Multi-paneled Installation, Mixed Media on Fabric
Rarity:
One-of-a-kind Artwork
Size:
15 W x 50 H x 50 D in
Number of Pieces:
5
Ready to Hang:
No
Mounting:
Free-Standing
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Outdoor Safe:
No
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.James Edwards is a London-based artist working in expressive mixed media, exploring psychological tension and emotional release through distorted human forms.
His work focuses on moments of internal pressure — where thought, identity, and feeling begin to fracture. Figures emerge and dissolve through loose, instinctive mark-making, balancing control with unpredictability.
Rather than presenting fixed narratives, Edwards creates spaces for projection, where viewers are invited to confront familiar yet undefined emotional states — anxiety, overwhelm, and introspection.
Working primarily with one-of-a-kind pieces, his practice rejects polish in favour of immediacy, allowing each work to retain the raw energy of its making.

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