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Installation, Mixed Media on Fabric

15 W x 50 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

$2,670

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This striking installation, titled "Shoe," invites contemplation and personal reflection. Crafted from a compelling blend of mixed media, including fabric, leather, steel, and textile, this piece is a testament to the artist's innovative approach. The textures and materials are expertly combined on ...

Year Created:

2026

Subject:

Mediums:

Multi-paneled Installation, Mixed Media on Fabric

Rarity:

One-of-a-kind Artwork

Size:

15 W x 50 H x 50 D in

Number of Pieces:

5

Ready to Hang:

No

Mounting:

Free-Standing

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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James Edwards

About the Artist

James Edwards

United Kingdom

James Edwards is a London-based artist working in expressive mixed media, exploring psychological tension and emotional release through distorted human forms.

His work focuses on moments of internal pressure — where thought, identity, and feeling begin to fracture. Figures emerge and dissolve through loose, instinctive mark-making, balancing control with unpredictability.

Rather than presenting fixed narratives, Edwards creates spaces for projection, where viewers are invited to confront familiar yet undefined emotional states — anxiety, overwhelm, and introspection.

Working primarily with one-of-a-kind pieces, his practice rejects polish in favour of immediacy, allowing each work to retain the raw energy of its making.

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